Duplicity

Not much about the life of a spy look great. Travel, cost accounts, a sense of danger, all RPG - cat mint for most people the biggest investment in the newspaper skullduggery tend to trust their boss that it really works. On lies, but writer / director Tony Gilroy standards for this context, when a flair for fun, and even a little honest love for God. This is a beautiful and brilliant performance, which aims at the request does not scrape the floor for approval. In other words, the world is so different from Gilroy, Michael Clayton, as you can imagine.

The film begins with a brief reunion at the American consulate Nice BBQ July 4 in Dubai, where the MI-6 agent Ray Koval (Clive Owen) is flirting with Stenwick Claire (Julia Roberts). He did not know that she is an agent of the CIA, much later, after it had long escaped from their room with a package of secret documents, and described it as medicine. Years later, two thrown together again when Koval, working with private security companies Equikrom - Unilver as a corporate giant that produces everything from shampoo to nappies - only to find Stenwick have a hidden depth of operational work for competing companies and Randle Burkett on the verge introduction of a new paradigm busting-a product that you want Equikrom wrong.

Koval and Stenwick have the choice of words for each other in the bracingly sharp and fun bar to share only to notice the layers of deception then presented. Loyalty and the possession of the rating, in order from one moment to another, such as the Gilroy station information about the true extent of Koval and Stenwick past (a long tease, marinated in their opposites attract, hot), and makes excuses for the two trips to Rome, London and Zurich.

Marry fun game of espionage in the former a rich history with a strong dose of good faith, romance is not what one would expect that the creator of Michael Clayton and Bourne Ultimatum to come. Not far from the former or the portentousness of adrenaline, then here, here, the star enough time lolling on the bed and the verbal skirmishing. Much of the film is a great joy, damped in the presence of loyal participants in the nature of when-weasely Thomas McCarthy (cable) on the big stage Denis O'Hare and Kathleen Chalfant, you work as a pair of clutch Equikrom other operators.

Gilroy has the right shows that the firm tone in mind from the outset with slapstick sequence loans with the two leaders - Tully Howard (Tom Wilkinson) and Richard Garsik (Paul Giamatti) - until they are in slow motion in front of his subordinates. These two directions in Deathmatch, but this is ridiculous. This does not mean that all the duplicity and the foam of champagne (though a large part of the latter). Gilroy has played in the same Manhattan landscape ruthless as Michael Clayton in high-tech espionage tactics, which appears to be more than the real world of James Bond. The difference is now there a'60s-style earnings jazzily seepage behind the pace of operations, and the stars seem more interested in bags, each frequency than the target.

Roberts and Owen are the study of sleep for the high-voltage star power, but not all the work here - but it's actually a big part of what the double work. Roberts is fresh and usually leave not only the famous smile of a handful of times, while Owen is on safe ground, plays with a sense of something distant and shambling arrogance that served him so well in the past. There are some jagged edges to fit, feeling better after his badinage and despair of real romance heats exhaust the efforts of other contemporary directors are trying to return to the spirit of comedy Spinner.

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